Dominic Drumgool, a prominent theatre director, takes a deep and different look at the history of proscenium theatre in his new book titled Time Frames. In this book, he examines the years 1865 to 1965, a time when proscenium theatre dominated the stages and reviews more than 70 playwrights.
Bold Experiments Behind Theatre Walls
While today theatre showcases open stages, round formats, and a festival of possibilities, Drumgool passionately refers to a period when performances were largely confined behind a proscenium arch. He describes this form as "liberating constraints," akin to a 14-line sonnet or a 12-bar blues, and this claim leads him to a deeper exploration of theatre history.
With a personal and engaging perspective on theatre history, Drumgool seeks to show how this seemingly conservative form has actually been a place for bold experiments, from Chekhov to Brecht and beyond. This book somewhat reminds us that the history of theatre is not just a dry and soulless discipline, but can tell stories filled with passion and fervor.
Answering the Big Questions of Theatre
The book Time Frames is not only a historiography but also a kind of debate and dialogue with the past of theatre. Drumgool, using lists and interesting articles, attempts to bring theatre history to life and remind us that this art has always been in a state of evolution and change.
Ultimately, Dominic Drumgool teaches us with this work that theatre, as an art form, can always be a space for innovation and new experiences. With a critical yet affectionate look at theatre history, he prompts us to think and reminds us that every art form has its own unique stories waiting to be discovered.
